Being Human (2019/2023), in collaboration with Annika Kuhlmann;
HD projection on glass, Untitled VI (2018) by Kingsley Gunatillake (purchased from Saskia Fernando Gallery, Colombo) and Untitled II after Kingsley Gunatillake (2022), Untitled III after Kingsley Gunatillake (2022), dataset#1-run#8-network_010996-seed_1204.png (2021),
dataset#4-run#3-network_010433-seed_0058.png (2023), dataset#4-run#4-network_010433-seed_1175.png (2023), 22-05-18_rudalle_k_ft:ckt002_004 (2022), and 22-05-18_rudalle_k_ft:ckt005_016 (2022) all by Christopher Kulendran Thomas
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/2023), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: FOR REAL, Kunsthalle Zürich, 2023.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
HD projection on glass, steel, featuring Untitled III (2018) by Kingsley Gunatillake (purchased from Saskia Fernando Gallery, Colombo) and
Untitled VI after Kingsley Gunatillake (2022), Untitled VII after Kingsley Gunatillake (2022), dataset#3-run#4-network_010252-seed_1564.png (2022),
dataset#2-run#8-network_010996-seed_1239.png (2022), 22-05-18_rudalle_k_ft:ckt005_016 (2022) and 22-05-18_rudalle_k_ft:ckt002_004 (2022)
all by Christopher Kulendran Thomas
Installation view: Christopher Kulendran Thomas: Another World, Institute of Contemporary Arts London, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: Another World, Institute of Contemporary Arts London, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: Another World, Institute of Contemporary Arts London, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: Another World, Institute of Contemporary Arts London, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
HD projection on glass, steel, featuring Untitled III (2018) by Kingsley Gunatillake (purchased from Saskia Fernando Gallery, Colombo) and
Untitled VI after Kingsley Gunatillake (2022), Untitled VII after Kingsley Gunatillake (2022), dataset#3-run#4-network_010252-seed_1564.png (2022)
and dataset#3-run#3-network_010252-seed_3281.png (2022) all by Christopher Kulendran Thomas.
Additional works: dataset#1-run#8-network_010996-seed_1211.png (2022), dataset#1-run#3-network_010252-seed_3109.png (2022),
dataset#3-run#3-network_010252-seed_3124.png (2022).
Installation view: Christopher Kulendran Thomas: Another World, KW Institute for Contemporary Art, Berlin, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: Another World, KW Institute for Contemporary Art, Berlin, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: Another World, KW Institute for Contemporary Art, Berlin, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: Another World, KW Institute for Contemporary Art, Berlin, 2022.
Being Human (2019/22), in collaboration with Annika Kuhlmann;
Installation view: Christopher Kulendran Thomas: Another World, KW Institute for Contemporary Art, Berlin, 2022.
Being Human (2019), in collaboration with Annika Kuhlmann;
HD projection on glass, aluminium, steel
featuring: Untitled II, Untitled V and Untitled VI (all 2018) by Upali Ananda and
Untitled II by Kingsley Gunatillake (2018), all purchased from Saskia Fernando Gallery, and Untitled VII after Kingsley Gunatillake
and Untitled VIII after Kingsley Gunatillake by Christopher Kulendran Thomas (2019).
Installation view: Ground Zero, Schinkel Pavillon, Berlin, 2019.
Being Human (2019), in collaboration with Annika Kuhlmann;
Installation view: Ground Zero, Schinkel Pavillon, Berlin, 2019.
Being Human (2019), in collaboration with Annika Kuhlmann;
Installation view: Ground Zero, Schinkel Pavillon, Berlin, 2019.
Being Human (2019), in collaboration with Annika Kuhlmann;
Installation view: Ground Zero, Schinkel Pavillon, Berlin, 2019.
Being Human (2019), in collaboration with Annika Kuhlmann;
HD projection on glass, aluminium, steel featuring Untitled I, Untitled III and Untitled IV (all 2018) by Kingsley Gunatillake,
Uncertainty VI and Uncertainty IX (both 2018) by Jayantha Pushpakumara, FIRE WALK WITH ME IV (2019) by Vaira Gunawardena
and BELIEF 31 (2018) by Jagath Weerasinghe, all purchased from Saskia Fernando Gallery, Colombo.
Installation views: Time, Forward!, V–A–C Foundation, Venice, 2019.
Being Human (2019), in collaboration with Annika Kuhlmann;
Installation views: Time, Forward!, V–A–C Foundation, Venice, 2019.